



Recorded live during the 2024 Creative Sources Cycle, violist Ernesto Rodrigues, cellist Miguel Mira, and analog synthesist Carlos Santos deliver a nuanced and exploratory collective improvisation, drawing on Rodrigues's delicate textural approach, Mira's lyrical sensitivity, and Santos's ethereal synth interactions, evoking an urgent reflection on the fleeting nature of time.
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Ernesto Rodrigues-viola, crackle box
Miguel Mira-cello
Carlos Santos-analog synthesizer
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UPC: 5609063408478
Label: Creative Sources
Catalog ID: c847
Squidco Product Code: 35763
Format: CD
Condition: New
Released: 2024
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Cossoul, in Lisbon, Portugal, during the Creative Sources Cycle, on October 2nd 2024, by Carlos Santos.
"The Creative Sources label is a meeting point for radical contemporary improvisation that relentlessly explores all sonic occurrences under the collective leadership of Ernesto Rodrigues and his colleagues Carlos Santos, Guilherme Rodrigues, Miguel Mira, Nuno Torres, Bruno Parrinha, José Oliveira, João Madeira, Hernani Faustino, Flak, and many others, all located in Portugal.
Within the label's exceptional output, exceptional both in quantity of recordings and musical quality, which documents their music, two types of projects should be distinguished. On the one hand, the recordings dedicated to the collective work of the Lisbon musicians themselves, which has a strong identity in their sound research, and on the other hand their increasingly successful attempts with artists outside their circle, even if these musicians have a very different aesthetic (recently Frank Gratkowski, Floros Floridis, Alex von Schlippenbach and previously, Birgit Ulher, Alex Frangenheim, Jean-Luc Guionnet, Sharif and Christine Sehnaoui, etc.).
The knowledge that our time is limited can inspire us is the perfect example of the vivacity and creative continuity of the Rodrigues galaxy and company. Miguel Mira is a superb cellist with a sensitive and refined playing in the smallest details in complete empathy with the oscillating plots and undulations of Ernesto Rodrigues, who maintains an intense musical relationship with his son Guilherme, also a cellist and established in Berlin for a number of years.
The viola is a more complicated instrument than its little brother the violin, but Ernesto draws the most iridescent, silky, whistling or bursting tones from it by brushing the strings of his magic bow as close as possible to silence. His sense of dynamics is absolutely extraordinary and the reality of his (their) musical practice goes well beyond the term "reductionist", "textural" or "minimalist lower-case", enzovoort (etc... in Flemish!). Miguel Mira rivals in inventiveness and sensitivity, giving with his colleague an irresistible lyrical shimmer to their alternative instrumental concoctions.
It takes all the talent and wit of Carlos Santos on the modular synth - a machine bristling with colored cables and buttons to integrate as closely as possible with the shimmering and stretched textures of the two string players during a long improvisation of 37:58 recorded on October 2, 2024 in Cossoul, Lisbon and already published, because urgent. Santos's extreme precision and active, yet almost deferred, presence bring an ethereal, cosmic dimension to this music that liquefies or gasifies in weightlessness in another gravitational reality."-Jean-Michel Van Schouwburg, Orynx

Artist Biographies
• Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues • Show Bio for Miguel Mira "Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo. "Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo. Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." " ^ Hide Bio for Miguel Mira • Show Bio for Carlos Santos "Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production. Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces. Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise." ^ Hide Bio for Carlos Santos
3/26/2025
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3/26/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
3/26/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
01. The Knowledge That Our Time Is Limited Can Inspire Us 37:57

Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Trio Recordings
New in Improvised Music
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